The piece exhibited in the “Garden, Gate of Heaven” show is one of the sculptures from the “Body Geometry” collection (which includes both jewelry and sculpture), serving as a large-scale reflection of jewelry. This work reinterprets geometry in Islamic art by isolating and amplifying a geometric element on a grander scale. The concept draws from Islamic geometry’s aesthetics and structural principles while creating a dialogue with contemporary art. By repeating these geometric patterns, I aimed to evoke a sense of infinity and self-similarity—core characteristics of fractal geometry.

The use of highly polished, reflective metal in creating this multi-layered, repetitive sculpture amplifies its visual intricacy, integrating the viewer’s body into the artwork’s composition. The reflective surface invites the observer to physically become part of the geometric world, transforming geometry from a static, mathematical concept into a living, dynamic form that engages with the viewer’s movement and body in the space.

The audience does not merely observe the sculpture; they become an active participant within it. The reflection of their body within this geometric framework creates an immersive experience, offering a deeper interaction with the artwork.